NaNoWriMo 2017 – Introduction to Arcane Archives

For NaNo, I’m going to attempt my Arcane Archives WIP (work-in-progress)!

Here is the opening line:

Syd watches the clock steadily tick-tock in sequence with the sounds of her heels tapping against church seats. She turns to find the Pastor looking right at her, smiling. “Sydney!”, her mother yells, “Stand up; pay attention! Everyone is looking at you!”

Summary: In this tale, historical fiction meets whimsical fantasy when a modern-day witch unlocks the secrets of her ancestral past, uncovering the history of Old Religion and the disappearance of arcane knowledge. As she ventures beneath New York City’s oldest chapel, she finds a mysterious stranger, a hidden library and a lot more than what she bargained for.

Main Character – Syd
Narrator – Third Person Omniscient, “God” – Mysterious Stranger Joan Wytte

Joan Wytte takes on the character of Syd’s ancestor. She has the personality of an old wise woman and grandmother.

Syd’s mother, Penny, is a practicing Catholic and clerical assistant for the church. She is also the library’s keeper and, of course, a witch.

Topics covered:
Similarities between nature religion (better known as paganism) and evolution.
Intersectionality between religion and class warfare.
History of Catholicism in England.

And, another writing project emerges!

I will be spending October developing the plot and world building. I want to begin a character chart as well. The goal is to have the novel well outlined before November 1st!

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Writing From Your Compost Pile

Writers are often asked where they get their ideas from. And, always, there is this assumption that the best and most imaginative writers were brilliant and had brilliant ideas, when in fact, brilliance happened by accident – it was an unintentional result of a practice or a lifestyle.

Much like sex, it’s a desire, it’s an urge, it’s raw – a most natural act. It is not thinking, it’s more like breathing. When you’re in love, you don’t plot your sex life, do you? God, I hope not. You don’t know what works until you’re already there. You don’t make a schedule with your lover. If you submit yourself to your writing life, as absolutely ridiculous that sounds, the less you will worry about your ideas.

By submitting yourself to the writing life, you’re inadvertently sifting through your compost pile. That is where all of your material brines. It’s your history marinading in the backyard. This is all those parts of your past you threw out, it’s the stuff you keep covered, you filed away, sometimes to never look at again.

Everyone feeds their compost pile differently. Some, never at all. Eventually, it becomes fertilizer, it’s just for some of us, if you never touch it, you’ll be dead by the time it’s ready. I eat cake, write poetry, and play a shit ton of video games to digest mine. You can go to therapy to digest yours, or the amusement park.

If you’re looking for the next best seller, stop going across town. Importing stories that aren’t yours will not help you write. They won’t be authentic, and you’ll know it. Look towards your personal history, your passions, your concerns, your obsessions, and all these little details that shape your life. I’ve often said write what you know, and I believe this wholeheartedly. Thing is, the only thing you truly know is what you’ve lived. This doesn’t mean you can’t write a bomb-ass fantasy fiction novel. Because you can, and even then, the story will be bits and pieces of who you are. Your novel will be a mix of your home life and your favorite stories. Each character you build will be aspects of your personality or the personality of people in your life.

While you’re sifting through your compost pile, consider that it takes a while for all of that to sit well – to ripen and mature. You may not be able to write about events that happened yesterday or last year, depending on how painful it was. To see your history through clear eyes, they can’t be watery. You’ll need to walk around in it for a while, you’ll need to heal first. Then you’ll find the truth, then you’ll find the lesson. Then you’ll finally get your brilliant ideas. The beauty is, if you don’t like your compost, you can live differently. Then you’ll have other brilliant ideas.

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A Writer’s Guide to “Killing Your Darlings”

You’re not killin’ it until you’re killing your darlings.

If you’re a writer, a practitioner of this craft – a world builder, you’re probably fully aware that all good writers are self-critical.

“Kill your darlings” is a nothing short of a segment from your self-written writer’s manifesto, and if isn’t yet, it should be soon. What does killing your darlings mean for a writer? Killing your darlings, killing your babies, whatever you want to call it, might sound like a murderous violent task, but I assure you, if you do it correctly, it doesn’t have to be bloody. It’s quite simple actually: If something isn’t working in your writing, take it out. It could be a single word, a sentence, or even an entire chapter. As Will Rogers’ famous advice goes, ‘Never miss a good chance to shut the hell up’.

Your darlings are those sentences, paragraphs, or even whole chapters that tug at our heart strings.

They often lift us up and make us feel like we’re floating in the clouds. They bring up emotions that often link us to personal memories. They haunt us when we re-read them. We love how these words are organized, and we love how these words make us feel.

The problem is we can be so enchanted by these words, that we forget what we’re writing – we simply could not care less if it fits our story, or helps our writing in any way. In fact, these beloved anecdotes often serve us so deeply, but only confuse our readers. We love these words, but unfortunately, we do a huge disservice to our writing, to our readers, and to ourselves by keeping them.

This doesn’t mean you should limit yourself.

I’ve always believed that the first draft, of any piece of writing, is always written by the writer for the writer. It is not until the editing process begins that we start to consider the reader. Write uninhibited, write with ambition, and don’t concern yourself with labels, genres, or style.

We are not burying your works six feet under to be forgotten forever.

The great thing about it is although it’s necessary to kill our darlings, we do not need to arrange for a funeral service – we are not burying your works six feet under to be forgotten forever. Why? Because chances are, that piece of writing, although not fitting for your current project, is probably brilliant. And, if it makes you feel some type of way, you do not delete it forever.

Instead, save them for later – open up a Word document, CTRL-C, CTRL-P, then save. By doing this, we can keep moving forward while also relieving a little pressure off ourselves.

Storycraft – Kill Your Darlings

Now the real work begins.

You’ve removed the offensive cluster of words; now you must fill the gaping hole in your manuscript. Start by re-reading the section, paragraph, or chapter before the portion you cut, then immediately, yes – immediately, write a new version of that scene. Don’t over-think it, just let the words flow. Let the images in your head guide your pen (or keyboard – to each their own). Don’t concern yourself with the bits of words you exterminated before, just write like it’s your first time, and you’re simply continuing the story. Write it fresh, write it from within, like you already know how, and I promise you, it’ll come out so good, you’ll be grinning from ear to ear at the end.

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Introduction to Creative Non-Fiction

What is Creative Non-Fiction?

Creative Non-Fiction is your diary hidden under the mattress, your travelogues, your WordPress blog, it’s your overflowing binder of recipes, erotica, your favorite fanfiction, it’s your advice columns, Yelp reviews, satire news articles, and literary criticism. And, that’s just the tip of the iceberg.

Literary Journalism

Creative Non-Fiction, also known as Literary Journalism, makes a great example of how flexible the practice and art form of writing truly is. Most of us adhere to the simple understanding of fiction and non-fiction being categorized by how factual the writing is. Creative Non-Fiction purposely blurs these lines; that fact alone is the reason why it is my preferred genre and the reason why I absolutely adore it so much. It is a reminder that a person’s individual truth is often subjective, whereas a concrete, well-supported fact, is not. Creative Non-Fiction enjoys dipping its toes in and out of sub-genres, rubbing people the wrong way, while often dancing all over and challenging a critic’s claims.


A basis for understanding this concept can be seen when observing sub-genres such as poetry, song-writing, or scriptwriting. Unlike personal essays or memoirs, where the foundation is in fact, real life, such a rule cannot be measured or tested in these works. Only the writer can verify whether or not their poetry, song-writing, or script is derived from real life, and how much of it is. Creative elements within poetry, song-writing, and scriptwriting, as well as style or theme, make such a claim impossible to measure.

Journaling – You’re Probably Already Doing It

Many types of writing, many of which you probably do often in your day-to-day life, is considered Creative Non-Fiction. In fact, journals, not to be confused with diaries, are the most common types of Creative Non-Fiction. Diaries are technically a type of journal in which you log or document the events of your day-to-day life, while a journal is any kind of written log – anything written with the intention to reference later. This can be a collection of recipes or a comprehensive guide to completing your long-term goals.

Susan Orlean Shows How to Find Subjects for Creative Non-Fiction

Literature vs. Journalism

Why has Creative Non-Fiction taken on the nickname of Literary Journalism? First, we must consider what Literature is, and why it holds value in Journalism. Literature, more specifically, is considered written work with a strong creative or artistic touch. Literature is the poetic element; the story-telling. It is the parts of writing that bring forth pleasure, imagery and other emotions. Journalism, objectively, is the reporting of facts. It often strives to inform the reader of events that are happening around them.

The Future of Creative Non-Fiction

Today, journalists instill elements of Creative Writing into their news reporting in order to make their stories more compelling. Many would advocate that this strategy blurs the facts, while others often suggest it is a competitive tactic driven by media giants and their desire to maximize readership, consumption, and profit. There is no doubt that the capitalistic nature of mass media influences what is produced, as well as what is distributed, however, the beauty of art, language, and literature is we are all free to write what it is we want, and most free when we do it. We are not restricted by what and who we share it with, either. Keep creating. Keep writing. Keep sharing it with the world.

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The Five R’s of Creative Non-Fiction

As an accomplished writer, professor, and renown expert in the genre of Creative Non-Fiction, there is no better mentor than Lee Gutkind to turn to when seeking writing advice. Regardless if you’re just beginning or have a few good years under your belt, listen up! In his essay, titled, “The Five R’s of Creative Non-Fiction”, he identifies 5 critical elements of Creative Non-Fiction. Below you will find a summary of these 5 elements.

Real Life

When constructing your personal essay or memoir, whatever your piece of Creative Non-Fiction may be, the absolute most vital component, and it’s most critical rule, is regarding factual content. It must be based on personal experience, real people, and real events. Write honestly. At no point will it be acceptable to invent or change the facts of your story to improve or increase the drama within. In short, the events of what happened must be true, and even more importantly, verifiable. If you’re writing a story about the events of your childhood, a vital character should not be able to petition your claim as incorrect or inauthentic.


Taking the time to thoroughly reflect on the events in your story is very important. In fact, this is why it is recommended to outline your work before you begin writing. Sit down, reflect, and take notes on each event – it will make the writing process that much smoother! As I will mention in the next paragraph, research is vital to the writing process, and you will be spending a great deal of time analyzing the information gathered, as well as assessing your thoughts on what you’ve collected. Your reader wants to hear your personal thoughts, they want to learn more about your life – they’re interested in your perspective, but that doesn’t mean these opinions should not be well-researched and well-developed.


What sets Creative Non-Fiction apart from other forms of Creative Writing is the journalistic component of the genre. This is why research is imperative. Your story must have a topic or central theme, and you must become an expert on this topic or theme. Use facts to support your claims. It is also acceptable to complete secondary research by interviewing a friend or family member present in your story. This is a fantastic idea because it gives the author a chance to verify dialogue taken place between family members. Another great suggestion is to review social media accounts, as well as personal journals or blog entries.


A good writer reads. A lot. They read, write, then read again. Similarly to any other field, it is without question that continuous training and retraining is required in order to stay ahead of the game. This is how we continue to move forward and ensure our writing is always improving. What does this entail for a Creative Non-Fiction writer? Perhaps we tirelessly engage in every guide published about our genre. That is, of course, not before we raid the new releases display at our local Barns & Noble! We owe it to the personal stories brewing in our hearts and minds – so, yes, please, read like their lives depend on it.


The only thing you’ll do more than reading is, of course, writing. Mastering your craft requires practice. You need to be neck-deep in your drafts. Can you put in the work? Can you be consistent? Can you build a habit?

What I’m trying to say is: Write. Each day, religiously. Make writing a form of worship. This is how you find your voice. Creative Non-Fiction often starts with a journal entry. The best way to start your memoir or personal essay is to simply start. Just write. Write your story, raw and uninhibited.

The best writing you will ever produce is what was written without restraint.

This is why I suggest starting in a place without rules. Heck, the actual writing part should be fun – an adventure. You should be having a ball. There should be fireworks, frankly.

It’s the editing that’s work. It’s coming back later to make sense of it all – when you need to start considering the reader, that’s when you actually clock-in.

Still, the beauty of writing is you get to become better by simply doing what you love.

Remember, you can always go back, with a red pen, and make it better.

Each word you put to paper is a step in the right direction.

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Literary Journalism: The Elements of Creative Non-Fiction

Core Elements of Creative Non-Fiction

Considering that Creative Nonfiction is also known as Literary Journalism, there is no surprise that the core elements of this genre are comprised of equal parts literature and journalism! Many would say that ‘anything goes’ when it comes to writing Creative Non-Fiction, but there are still concrete guidelines to help you write a superb essay!

What makes good writing, good writing? In all cases, good writing is both clear and concise. What does that mean? Well, we’re not unintentionally leaving the reader confused or in the dark. We’re also making sure our audience has all the information they need to grasp or comprehend the message we’re trying to get across. We’re saying just enough, but not too much. This is all especially true for Creative Non-Fiction.

Journalistic Elements

  • Facts: What are facts? Facts are simply anything that isn’t completely made up. They’re true, accurate, and authentic.
  • Exposition: Explaining your personal experience clearly and concisely is crucial.
  • Supporting Details: Even if your Personal Essay or Memoir is rooted in personal experience, it is still necessary to expand your story beyond the main character, which is often going to be yourself.
    • Research – As I will mention in more detail below, a theme, focal point, or lesson is crucial for any piece of writing. Your reader will ask, “What am I gaining from reading this? What new information am I learning?” Your work will ultimately have a topic, and that topic will be relatable to others in some way or another. Further research this topic.
    • Reportage – Writing a story is often difficult without the ability to reference events. Photographs, journals, blogs and social media are great resources for this. Before you begin writing, outline your first draft and assure that it is in chronological order. You will also want to make sure all significant points or events are well organized within your story ahead of time.
    • Thoughts and Opinion – A Personal Essay requires a personal touch. Make sure you include thoughts, feelings, and opinions.
  • Format: Creative Non-Fiction is often written in an Essay format. They include an introduction, supporting paragraphs, and a conclusion at the end.

Literary Elements

  • Narrative: A narrative is simply a story.
    • Storytelling – A story requires several events (or scenes), goals, challenges or obstacles, a climax or turn of events, and of course, a resolution.
    • Character – Every story needs a central theme, which in most cases will be the main character. Although chances are, the main character will be you, the reader does not know you, but they desperately want to. Help them know you.
    • Imagery – Describe your surroundings. Describe your emotions with actions. Instead of saying, “I was angry”, you could say, “I stormed out of the room; I punched a hole in the wall.” You want your reader to see what you see. They want to be there and experience it for themselves.
    • Dialogue – Include vital conversations between the characters in your story. This is especially important for all Non-Fiction. Your readers will want to see an account of what was said by whom and to whom.
  • Theme: Although the main character and topic for the story will often be you, there still must be a theme – a lesson, something your reader can take away from your story.
  • Setting: Where is this all taking place? Make sure you ground the story in a place and allow the reader to visually see what it is you see. You may know what your home looks like, or your city, but the reader probably does not.
  • Plot / Structure: These are your scenes, chapters, and the order they go in.

Don’t know where to start?

I always say the best place to start is always by reading. Here you can find great examples of Creative Non-Fiction novels and publications that often feature many Creative Non-Fiction essays.


  • Eat, Pray, Love – Elizabeth Gilbert
  • Three Cups of Tea – Greg Mortenson
  • Committed – Elizabeth Gilbert
  • The Happiness Project – Gretchen Rubin


  • The Atlantic
  • The New Yorker
  • Vanity Fair
  • Esquire
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The Self-Centered Routine for Creative Visionaries

Prioritize You

Yikes! I know you see it. I do too – those two bad words sticking out like a sore thumb: self-centered, and routine. Terrible title, isn’t it? I’m hoping that after reading the clusters of paragraphs I have laid out in front of you, you will re-discover the meaning for both. The truth is, it’s okay to prioritize you. You should be at the center of your life. What does that mean? Your visions come before the visions of others. Additionally, having a routine doesn’t mean your life is suddenly void of any ounce of fun or spontaneousness. I am here to share with you how I have learned to master the routine, and put myself at the center of it, each and every day, and how that alone has allowed me to put my dreams on a pedestal and accomplish them.

The Daily Routine

Creative visionaries, like you and me, live each day hoping to one day stand with greatness. Their secret weapon, that is often left unspoken, the rule that both Woody Allen and Ernest Hemmingway adhere to is the daily routine. Hemingway wrote 500 words a day, rain or shine. Allen once said that success is 80% showing up. If you want to create something worthwhile in your lifetime, if you want to write things, make things, do things, be things – you need not wait for inspiration to come knocking. Honey, you break that door down. You show up, and you work.

Habit and Discipline

I have often whined to friends of creative dry spells. For years, in fact, I did not write, and you know what? I hadn’t done a damn thing about it. Today I know that it wasn’t inspiration I was lacking, but habit and discipline. The hardest decision then becomes not the writing itself but prioritizing it over everything and everyone else. And, indeed, it is a hard decision to make, but a necessary one if you want to accomplish the things you wish to accomplish in your life. When I wrote and published my first book, I had so much fire in my heart, but few responsibilities. So, naturally, it was easy for me to say, “Hey, I’m going to write this book, and I officially don’t give a shit about anything else until it’s finished.” And, guess what? I finished it. In fact, I did almost nothing but write for days on end. I skipped meals. I took a pen and paper into the bathroom – yes, I know, gross. I was so immersed in my book, that I didn’t care very much about anything else. I didn’t have nearly as many bills to pay or obligations to fulfill as I do now. So, as you can imagine, it has become increasingly harder for me to reach similar heights of creative productivity (or, Creative “Zen”, as I like to call it), and even harder for me to prioritize me when the rest of the world needs me. Now, more than ever, I realize habit and discipline are the true keys to any craft.

The hard part is often not our needs, but the needs of others. Sometimes drastic measures need to be taken. Thankfully for us, in no way are these measures truly drastic. All you have to do is pick a few hours out of your day where you become unavailable. For a few hours, at dawn or dusk, you simply fall off the face of the earth. No phone, no e-mail, no social media – you become completely unavailable. Put that worry out of your mind! I know you’re feeling it – I promise, you won’t miss anything. That’s the truth! That text message isn’t dire, neither is your boss’s e-mail. I’m sure by now you’ve realized just how unpopular this decision will make you. Listen, they will survive without you for a few hours, and if they’re sensible human beings, or give a crap about you, they’ll understand. The irony of worrying about the priorities of others is that you actually miss out on yours.

Now on to the novel you’re trying to write, or the business you’re trying to build – can you work on it every day? For any day that you can work, you probably should. If you can watch a film for an hour, or play a video game, or skim through your social media feeds (I see you!), you can surely work. Let’s say you work 8 hours a day, 5 days a week. Heck, let’s say 10, because of traffic, bad breakfast digestion, and your offspring. That leaves you 14 hours. Of course, you must sleep, so now you have 6 hours left. Give yourself 1/2 of that time to food, friends, and family, and you’re left with 3. Most days, try to dedicate 2 of them to your dreams, your goals, your creative aspirations, but 1 is more than enough. Of course, your routine will fit your unique life, and meet your specific goals, and sometimes an hour just isn’t realistic. At the end of the day, it really comes down to using that creative mind of yours and making time. Buy a crockpot. Talk to your loved ones. Can they help you make time? It’s going to come down to planning, prioritizing, and persistence. If you can sit down and write your novel for 15 minutes, that is certainly better than none, and making that commitment, no matter how small, is what leads to results.

You’re Not Actually Showing Up If You’re Not Working

The real question is, how can you make the most of those precious 15 minutes? Right away, I must say, there is no point in showing up at all if you’re not prepared to work. Yes, 80% of success is showing up, but you’re not actually showing up if you’re not working. You’re not showing up by sitting on that fat bum of yours and sulking. If that’s the case, you really could be doing something else! (Frankly, I recommend going for ice cream.) Before I discourage you, there are ways to show up, every day, with a stellar game plan, regardless if you’re there for 15 minutes or 15 hours (I’ve done this – I don’t recommend it.)

Time Management

Although detailed daily planners are a great investment to improve organization and time management in your life, they’re often only as effective as how realistic you are about the time and energy you have, as well as the effort required to complete your tasks. I love planners, but I don’t necessarily believe they actually help me become more productive or useful. For most of us, things naturally get done when they need to be done, and planners can only do so much for laziness. Although it does help me keep track of my day-to-day needs, I believe there is a subtle illusion of productivity attached to them. There is a lot of instant gratification in putting a check mark next to a task you’ve completed. All I’m asking of you is a small, realistic – emphasis of realistic, list of goals for the day. On this list, in a small outline of the tasks, you will complete for your creative work. Keep in mind that most things can wait until tomorrow, and there is really no purpose is doing things before they need to get done.

Set Firm Edges

I think in a lot of ways, it’s safe to say that creative work doesn’t necessarily bode well with classic concepts of professionalism. This section is all about why I think multitasking prevents us from reaching our ultimate potential as creative visionaries. I don’t think that professionalism necessarily creates forward-thinking, exceptional, remarkable, new and exciting products for us. I think saying “fuck you” to professionalism does. This is not to say that professionalism doesn’t have its own place, but the work that we’re doing – creative work – it has no place. This is not your office gig. This is not data-entry. To create something remarkable in your lifetime, you need to be at your best, bring your best, and focus all of your energy into a single entity. A great thing requires all of your power. This is essentially why setting firm edges are too important to ignore. What do I mean by firm edges? You need to be strict about when you make time for creative work and the quality of the work you’re doing during this time. Nothing is to bleed into the next section, or into the one you’re currently working in. You begin when it’s time, and you stop when it’s time, and you do nothing but what it is intended to be done during this time. In short, do not multi-task.

Energy Levels

Most of us have a time of day in which we’re most alert and energetic. This is the best time for creative work. This is not the time for data-entry if you catch my drift. You may not realize it now, but these are truly the most valuable moments of your day. This is when you’re at your best, so anything important or difficult that needs to get done, should be done at this time. I find early mornings to be the best time for work. Preferably before the rest of the house has awoken. Pour yourself a cup of coffee and open your favorite word processor. You need to find a space where you can be with just you and your creative mind for a few minutes, or hours. Mastering this part has a lot to do with getting to know yourself. The same can be said about the next, and last section of this article.

Creative Triggers

Believe it or not, familiarity can trigger creative energy far more easily than new landscapes. When we put ourselves into a routine, giving ourselves surroundings that are familiar, it sends a trigger to our brains that say, oh! it’s time for work. It is also comfortable and puts us in a calm state. We are not busy processing and taking in all the new multi-sensory surroundings, therefore, we can focus and get to work quicker.

The Hardest Part? When It’s Time to Finally Become a Professional

Figuring out what makes you tick as an artist is only half the battle. Consider that you found your routine, you honed your craft, and you mastered your practice. Unfortunately, it’s not over. Believe it or not, the actual hard part has not even begun. No one is born a professional, in the way that some claim to be born an artist. Although an artist’s primary goal is rarely monetary gain, it is often exposure. More so, the ability to connect and relate to their audience. I think artists specifically want to reach people, and lock hearts and minds with another, even for just a moment. The problem is, in order for an artist to do this, they must actually become salesmen. They sell their ideas, their words, and, of course, themselves. There is simply no other way to reach another, without first unleashing them and becoming vulnerable. So, yes, the hardest part is becoming a professional, and what that means for artists is becoming brave.

Do you want to know what’s even harder than that – what’s harder than the hardest thing of all – an artist’s greatest fear? It is fear of being criticized and deemed a fraud – simply not being good enough. This is a shared concerned by me, you, and everyone else on earth. You’re telling the world, “Hey! I worked super hard on this! I poured my heart, soul, and literal brain into it – I kind of, sort of, believe I might possibly be good at this. Maybe, just maybe, I know what I’m talking about.” When in fact, you’re a student, like me, and it is not entirely that black and white. I am no expert, and I hope you didn’t crawl in this thick head of mine, take a seat, with hopes of being enlightened. There are no true masters here. We are all learning.

A true artist works hard at their routine, and at their craft, but even more so, accepts they have much to teach, and even more so, to learn. They know we can all become a little bit stronger, a little bit better, a little bit smarter, by opening our eyes and ears to each other.

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